Dora Budor (b. 1984, Zagreb) is an artist and writer who lives in New York. Selected solo exhibitions include Continent, Kunsthaus Bregenz; Incontinent, Gallery of Modern and Contemporary Art (GAMeC), Bergamo; Autoreduction, Progetto, Lecce; I am Gong, Kunsthalle Basel; Benedick, or Else, 80WSE, New York; and Spring, Swiss Institute, New York.
Her work has been presented in numerous institutional exhibitions, including 59th Venice Biennale (2022), Hammer Museum, Los Angeles (2022), Tabakalera, Spain (2022), 58th October Salon | Belgrade Biennale (2021), Tbilisi Biennale 2021 (2021), Palazzo delle Esposizioni, Rome (2021); Migros Museum, Zürich (2021); Schinkel Pavillon, Berlin, (2021); Kunstmuseum Winterthur (2021); 2nd Riga International Biennial of Contemporary Art (2020); Geneva Sculpture Biennale (2020); MoMA Warsaw (2020); Montpellier Contemporain, (2020; 2018); 16th Istanbul Biennial (2019); Kunstverein Nuernberg (2019), 13th Baltic Triennial (2018); Louisiana Museum of Modern Art, Denmark, (2017); Palais de Tokyo, Paris (2017); Whitney Museum of American Art, New York (2016). In 2019, Budor was awarded Guggenheim Fellowship in Fine Arts. She is a regular contributor to art publications, including Mousse Magazine and Texte zur Kunst.

Erika Balsom is Reader in Film Studies at King’s College London. She is the author of four books, including After Uniqueness: A History of Film and Video Art in Circulation (Columbia University Press, 2017) and TEN SKIES (Fireflies Press, 2021, shortlisted for the Kraszna Krausz prize). Her criticism appears regularly in venues such as Artforum and Cinema Scope. With Hila Peleg, she is the co-curator of No Master Territories: Feminist Worldmaking and the Moving Image (HKW Berlin/Museum of Modern Art Warsaw, 2022–23) and co-editor of the books Feminist Worldmaking and the Moving Image (2022) and Documentary Across Disciplines (2016), both published by MIT Press. In 2018, she was awarded a Philip Leverhulme Prize and the Katherine Singer Kovacs essay award from the Society for Cinema and Media Studies.

Enzo Camacho and Ami Lien are collaborating artists from the Philippines and the US. Their practice moves from the Philippines outwards to other places, addressing localised iterations of labour and capital from the perspective of post-colonial damage. They have shown at Green Papaya Art Projects (Quezon City, Philippines), the Lab at NTU Center for Contemporary Art (Singapore), Kunstverein Freiburg (Freiburg, Germany), the Brunei Gallery at SOAS University of London (London, UK), Manifesta 13 (Marseille, France), the 10th Asia Pacific Triennial (Brisbane, Australia), the 39th EVA International Biennial (Limerick, Ireland) and the 5th New Museum Triennial (New York, USA). They are currently working on an experimental documentary that will premiere at ParaSite in Hong Kong this coming October.